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Hall of Fame
Implementing or co-implementing any television project is not an easy task. It involves a lot of preparation, and no detail should be overlooked, as even the smallest one can be crucial. The Hall of Fame is another exceptional project that our team had the opportunity to be a part of again. Based on our previous references, the television production approached us to provide a comprehensive technical solution for this show.
For the stage construction, we used Gloshine and Absen LED screens, and we handled the complete effect lighting, including their control and programming. Our task was not only to arrange the lighting setup, which combined dynamic Robe lights with static Cameo lights, but also to design the lighting scenes throughout the filming.
In addition to technical support, we were responsible for producing footage for the musical performances. The musical segment of the evening was enhanced by a performance from the vocal group Fragile, combined with a chamber symphony orchestra, creating an unforgettable experience. The host of the show was Vlado Kobielsky, and the filming took place in Studio 4 at RTVS.
The project also included lighting for additional filming at the Old Theatre, where we created a set that beautifully complemented the atmosphere of each episode. Each episode of the show is dedicated to a remarkable personality from the artistic world, allowing viewers to discover details about their lives and achievements that many were unaware of. The Hall of Fame will be broadcast every Thursday evening on RTVS, and we are proud to have left a piece of our ‘Hurricane’ heart in this project, which combines technical expertise with artistic creativity.
They said about us

Peter Nunez
We crossed paths with the Hurricane team on the television project *Hall of Fame*, where they provided a complete technical solution, including the design of the lighting setup. The company works with top-tier technologies, which are installed and operated by an experienced team of technicians. Thanks to these two factors, we didn’t encounter a single technical issue during the entire month-long shoot, allowing us to fully focus on producing the show.
Peter Nunez
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